Quality was unexpectedly good. Great value for money, sizing runs true.
K. Leigh reminds us that beyond their unique and fascinating world building of the Constelis Voss series and it's related titles, they are capable of spinning up fantastic tales ranging from the fantastical to the supernatural. While I had a particular fondness for the comedic horror of a tech support guy turned vampire in Fangs, other stories such as The Vodnik's Carmine and The Rot Doe captured my attention with beautiful poetic prose and the deep underlying message of living despite the horrors of reality (and fiction). Demons is a gorgeous collection with something for everyone in the science fiction and horror spheres. I was so engulfed in each story while reading on my daily bus commute to work, I missed my stop on two separate days! I cannot recommend it enough.
The Constelis Voss saga is a story told in reverse. It's an unfolding, a personal story wrapped up in metaphor and edge-of-your seat scifi. When I had the pleasure of reading the first three volumes, I was left with more questions than answers - this is by design. Who the reader believes to be the 'main' character, Alex, has a shrouded history that is only revealed in slices of suggestion. Indigo Voss, the fourth installment,began to peel back the veil to see the reality behind the superheroes and space dust. Without spoiling too much, Pink Olive completes the saga by burning the veil entirely. The end of the novella switches to the perspective of the author, K. Leigh, who finally answers the burning questions I've held since I opened volume one of Constelis Voss. While ordinarily a self-insert would come across as the work of an inexperienced writer, Leigh challenges us to accept that the stories we tell will always hold pieces of our own truths.
Aside from the deeper narrative, Pink Olive is an incredible science fiction romp. Olive leaps through time in a desperate attempt to prevent an apocalypse alongside familiar characters with superpowered abilities. A triumphant finale.
I love just about everything this author creates but THIS. This book hit me hard and right to the heart.
It's beautiful and it's painful. It's smart and creative. I was on the edge of my seat the entire time and I cried often. I feel so much of myself in Alex and Olive. Parts of myself I've hated and parts of myself I need to love more. This is the kinda book that reminds me why I love books and why I love to write. A sci-fi adventure turned stark reality. You've never read a book quiet like this before.
An artist creates because they want to say something. The Constelis Voss series and all of its ensuing books, Empty of Nothing, Indigo Voss, and now Pink Olive, are about many things - queerness, pain, joy, family, nostalgia - but at their core they are about the author Kira Leigh. They are about his journey and the parts of himself and his friends he imbued into our beloved gang of superpowered misfits particularly ex-mobster assassin Alex Voss and the cute but secretly brilliant Olivia "Olive" Lawrence.
Indigo Voss served as a way to map out Alex Voss's trauma and create a way for him to avoid his inevitable fate in the Constelis Voss books because time travel shenanigans.
Pink Olive takes that trauma and becomes a reckoning of that trauma. Framed by Olive's power of time manipulation, the story skips around to different parts of the past, even touching the future. It starts as a story about saving the world and saving Alex. But it changes and morphs alongside Olive's perception of time.
Pink Olive becomes about how Alex and Olive save and forgive each other. It becomes how the author saves and forgives himself.
We see two parallel journeys that started on a space station in a far future but soon it becomes clear that they are the same journey and they end at the same destination.
It is a meditation about recognizing your trauma, seeing the fallout of your trauma responses, and forgiving yourself.
These books have always been about getting through to the other side with trauma, to survive it and live with it.
This one in particular features a profound breakthrough of the author finding his way to the other side of his pain. It becomes a joyful exaltation that you, the reader, will survive it too. You may have been broken but you can be fixed again. You can fly again. You will be okay.
The whole series from Constelis Voss: Color Theory to here should be read so people who need this message can absorb it. Not enough people who suffer trauma know that they can survive it, but Kira Leigh proudly proclaims with Daft Punk and Kate Bush somehow blasting in the background that you can. You can do it. Please read this book!
There’s an odd sense of finality to this book, to where we’re along for the ride with familiar characters through familiar settings from the Constelis Voss series, although through a different, pink-tinged perspective.
Alex got a sense of closure in INDIGO VOSS, but this book is different, and Olive is a character we needed to inhabit to get this different perspective. There are scenes that are downright difficult, like ones from her childhood, or trying to balance a relationship with the invincible Alex skipping rocks at the end of the world when Olive just doesn’t want to let go. Not yet.
There’s a power to how this book takes trauma, utilizes the superhero tropes and idea of time traveling as an attempt to reconcile with said trauma and try to forge ahead into a better future. I’m not going to lie and say this is a fun, easy read, because it’s not. That isn’t to say it’s not entertaining, because it is, but know it feels like Olive is, at times, grabbing you by the ears and clacking some gum while she stares into your eyes and unloads, all while telling you that you aren’t alone.
I can’t recommend this enough.
I can't describe how much I loved this book and the other books by Kira as well. Her raw vulnerability throughout Pink Olive sculpted this book into one of the most important pieces of writing to ever grace my eyes. I love that the characters are wild and silly, yet completely relatable at the same time. The metaphors, the parallels, the craftsmanship of the prose are a true testament to Kira's innate storytelling ability, and I am HERE for it. Her exploration of sexuality, vulnerability, morality, and the dark recesses of the human mind leave me hanging on her every word. Pink Olive and Kira's other books would make a fantastic addition to anyone's bookshelf, seriously. I highly look forward to future releases.
Pink Olive was a gift; I found it an incredibly therapeutic read. It spoke to the despairing little girl in me who felt irreparably broken, incompatible with the world, and doomed by her past.
I'm going to miss Alex and Olivia, but the beauty of this conclusion brought me to tears. They helped reformat my brain a bit, and they'll always be my superheroes, fighting brainworms day to day.
I dove headfirst into this fast-paced fantasy by starting with Constelis Voss Vol 2. I wanted to see how it all started, so I hurried to buy Vol 1. Not that this story doesn't transport you to earlier eras, but it was so intriguing that I was curious to learn more. Did I find this book enjoyable? Indeed! Although it was out of the ordinary for me, I'm glad I took the chance. You will undoubtedly enjoy the ride, so come on and board the crazy and wild train!
Loved it… the story, the colour and rhythm of the language, fantastic … definitely going in for Vol 2
As vivid and breathtaking as the first volume, I was once again completely taken into the world of Constellis Voss. With a focus on characters histories, and relationships I've found my self deeply I love with more then one character. And topped off with jaw dropping twists THAT ARE MAKING ME LOSE MY MIND IN THE BEST WAY!!!!!!
It's kind of ironic that alot of scifi glosses over the human aspect of the dystopian vison the author puts forth. That is not the case with Indigo Voss. It's right in your face and you have to deal with it.
Where do I start? This book moved me to tears! The cast is as dynamic as ever and never strayed from their own stances on social issues. Kira did an excellent job with this book! I like how it ended realistically and all of the cast are able to live their own lives and be happy. I hope to see more of this universe that I’ve come to love. I recommend this book to anyone who’s a sci-fi lover.
This book is incredibly intense at all times and that is very much modern queerness.
I'm not going to talk about the plot because where this book shines is the consistent tone of the narrator.
It's this "been there done that" voice that describes sex, the transition of gender, alternate realities, and everything.
It's exceptional in that way to start. Imagine if the coolest person you ever knew told you the coolest story you every heard.
And you are also very queer. Hearing the queer version of Luke Skywalker tell you not only are you not alone but you aren't crazy.
Indigo Voss is about the gun-toting, knife-waving, throat-tearing, a-moral moments of violence and betrayal in the curated memories of Alex Voss in pursuit of a life worth living.
It is also about the spaces between despair, where we can find things worth living for; sometimes another person, sometimes a moment of passion, and sometimes a particularly colorful sky.
This story is as heavy with metaphorical rebirth as it is with literal death,
Rebirth is something I feel is pivotal to the queer experience and central to the immigrant and diaspora experience, aspects I felt I could relate to (myself being those things).
Killing yourself in all the ways just shy of in the literal sense to learn who (and what) you are.
Returning yourself from the fringes and dark spaces you were forced in to, realized and unashamed.
Indigo Voss goes hard from the start and the underlying feeling is told in a way that speaks loudly from a familiarity with the subject; something I think many authors try for but don’t have the experience to draw on (or the self awareness to recognize stories they have no business telling). In this case I felt the story brought a secluding and visceral reminder to the reader of where they’ve been (or are); and simultaneously an endearing (and I pray with every piece of myself, achievable) promise that things could be better.
I heartily recommend Indigo Voss and look forward to the prospect of seeing future works by K. Leigh.
This book meant a lot to me. Its themes of feeling disconnected from society, of identity and being lost, of being transactional because that’s what was tortured into you resonated strongly with me. I also absolutely should mention how important it is to the story that Alex is trans.
I just can't see myself in the innocent farmer's son who goes with the bearded wise man to find a sword and become king. Honestly, I don't trust them, I don’t like them, and I was never, ever innocent enough to do either. But a first-person narrator who constantly tells me how much they hate being manipulative, while being manipulative toward me; who tells me how vile they are while also being kind of proud of it; who so desperately wants me to love or at least understand them while also not giving a fuck? I’ll happily let them live rent-free in my head forever. That’s what Indigo Voss delivers, and then some.
I have a comparison for you, not about the kind of book this is (or reminds me of), but about the style it is written in. It's been a while since I watched Angel Heart, and my long-term memory is one of the victims of too many depression-related ECTs. But I do remember the impression the movie made in my brain. The feelings of a feverish, manic, fractured narrative that was less told and more inserted - under great pressure - into my skull. That’s how Indigo Voss read to me.
While reading Indigo Voss, it sometimes felt like a different kind of performance I invented in my head. An actor, standing alone on a small stage, in a small club, screaming, crying, laughing, winking the whole text as a monologue directly at me.
Indigo Voss asks the question: who is Alex Voss?
If you read the author's preceding books the Constellis Voss trilogy, you probably have a good idea. But for newcomers, he is complete mystery.
In this novel, Kira Leigh takes us through a hellish beginning where a genre is battled and the embers of hope are crushed beneath the foot of a persistent pervading threat.
The second act introduces (technically reintroduces) Alex's chosen family of flawed misfits and how they band together with a touch of manipulation in 1990s New York City.
And finally, the third act bends and distorts everything with an ending that struggles against the predestination chosen for the protagonist.
This is about the life of Alex Voss, but it is also about his death. The specter of his death looms over the whole story. And yet the protagonist resists fate. The chosen family resists fate.
It is a struggle that yields immeasurable hope in a world of obscene darkness.
This story lacks the trappings of a scifi world centuries beyond our world, but it does not need it. The author presents a dogged determination to break the pattern to create a second chance. Indeed, it shows how "something awesome" can change everything.
It's very much the same message as Constellis Voss with a different package and wrapping, but it's the same message which cannot be said enough: If we band together, we can overcome those who exploit the exploitable and seize happiness from those who hoard it.
Both Indigo Voss and Constellis Voss go together like peanut butter and chocolate - they complement each other profoundly and yet can exist apart as equally delicious pieces of art.
I greatly recommend you read both to really get the optimum experience from this world, this character, and this pathos and ethos presented by the author.
The content itself can be harsh and unflinching so it is very much not for everyone. Depictions of sexual, physical, and emotional abuse run throughout the story - but for a very good purpose. This is not a pulp novel but a real shot at creating art that represents a tortured individual in a bittersweet world. But, again, not for everyone so just be careful if it's not to your taste. (not everyone likes peanut butter and chocolate, but that's okay!)
There’s something about the way this book opens that punches you in the gut right away. The care and attention given to each scene in visceral detail reaches out and refuses to let you go, which isn’t something most books can accomplish.
If this book is anything, it’s dripping with intent. Don’t be afraid of the heady messages and themes that are buried in here about trauma, love, self-worth and how people who are different are forced to navigate a world that often makes no sense to them.
If you know Alex from the Constellis Voss books, it helps, but you don’t need to have read the previous books to be immersed. Alex is a complicated character who just wants the surrounding people to be happy after growing up a subject of abuse, neglect and forced into a life of sex trafficking and crime. Alex’s struggle with identity is never internal, it’s almost always external. While Alex understands he’s a boy, it’s everyone else insisting on treating him differently, be it like a girl or placating him by calling him a boy, but treating him differently.
When Alex can finally make friends is when things get complicated. At that point, Alex has already morphed into an assassin, hell bent on destroying his captor and boss, Boris, and is convinced not just that he’s a bad person, but an irredeemable villain that doesn’t deserve love and affection. While love is a central theme, don’t confuse it with romance. There is some romantic love at parts of Alex’s life, but it all gets jumbled up in his head while he’s fighting his fracture psyche and trying to literally push Boris’s deadly bullet leveled at him out of his head and prevent his own death.
Most of the book is Alex experiencing and fighting for these memories. The ones he doesn’t want seem to be the strongest, while the ones he wants to hold on to and cherish are the ones being wiped out by the bullet that’s coursing through his mind. Because there are always those people in life that want to control, to take all the accumulated good and block it out to maintain that control. Whether Alex realizes it or not, Alex isn’t the villain, nor is he only the summation of the things he was forced to do (mainly fuck and kill), but is a person with a lot to give and built up a community of people initially to help reach his end goal of destroying Boris, only for that to become something much more.
The book’s climax was masterfully built to, and not at all expected. Because this isn’t a story about revenge, fucking and killing. It’s a book about finding the people who love you, accept you for who you are and will accept all the messy bits that come with these relationships.
Getting to know, and I mean really know, some of these characters is also a treat, and helps add more context to the other books. Getting to see prime Alex interacting with all of them and forging these bonds that will carry forth into the future is really something.
Indigo Voss is lots of things.
Like the opening pages would have you believe, it's very similar to pieces like Mr. Robot (with all the mind-bending uncertainty that you'd expect from such a comparison). It keeps the reader on their toes and challenges the assumptions we take for granted when reading fiction. It also builds a strange rapport with the main character/narrator that, while reminiscent of Elliot, is definitely his own character that stands on his own. Reading Indigo Voss will be confusing, and a bit of a slog. But by the end, it all comes crashing together to make a violently beautiful picture.
It's also a story about trauma. Alex drags the reader, face first and screaming, through the events and scenarios that had a part in forming his self. At the same time, Alex proves himself to be more than his trauma, wrenching control from a position of near powerlessness to become someone with a life to live. All the while attracting people like him to his side and offering them refuge and power.
Indigo Voss is also about fate. K. Leigh has often described this story as being about a man changing his fate, and I have a hard time disagreeing. Throughout the entire book, Alex reminds himself and the audience of his inevitable demise at the hands of an imprisoner turned colleague turned enemy. It haunts every chapter as a spectre of what's to come. Turning even the wholesome downtime into pure anxiety for the reader. What it does with this is something truly special that you have to read to fully comprehend.
It's also a story about queerness. Almost every protagonist is queer in some way. Alex is trans and bi (potentially pan, he doesn't label it in that kind of way) and boy does he not let you forget it. He interjects throughout the book to remind the reader how being trans has viscerally shaped and changed his life. All the while yearning for it to be nothing more than a simple fun fact about him. Alex captures the trans experience, especially the traumatised trans experience, in a way I've never seen before and crave to see again. This story also presents a good view of transmasculinity in general, which is sorely missed from our media.
Indigo Voss is a violent crime drama. Alex flies through the American and Russian crime worlds throughout the book and gives us a tasty yet dark experience for fans of such tales. From mob bosses to prison breaks, this doesn't have everything, but it has a lot. And it's described in gruesome detail.
This is a story about love. From sexual to platonic to familial. From the toxic facsimiles to the real thing. IV explores, in-depth, many different ways to love. It cheers on the ones that help, even if they're unconventional. And it spits on forms of love can don't deserve the name. There's heartbreak and heartwarming. And Alex is at the center of it all, recounting every detail, whether it be lovely or excruciating.
And, for as depressing and violent as it can be, Indigo Voss is hopeful. Not only for Alex, but for his friends and loved ones. For the future. And even for the reader.
And I think that should be the take away: IV offers a plethora of things (I haven't even touched them all) but behind all of it is hope.
Solid 9/10. Would recommend with the caveat that you can handle violence, rape, queerphobia, and disassociation.
Can't wait to read the other books in the series so I can come back and read this again!
Now Alex can adorn my walls and silently judge me while I work. Great.
Kira Leigh's character-driven space opera universe has expanded once more with a fourth installment. Indigo Voss takes place in a past far removed from the interstellar spacecraft we became familiar with in the original trilogy, Constelis Voss Volumes 1 through 3. Leigh reveals Alex Voss' 'true' backstory, previously shrouded by our unreliable narrator's copied computer mind. The Alex we are familiar with is a copy of Alex Voss, a transgender man from Russia. Alex is enslaved into prostitution from an early age, his birth family unknown to him. Alex’s indigo motif begins with the vivid blue sheets of the bed he is forced to perform on for cis male clients.The entirety of Indigo Voss, from my own reader's perspective, is a reflection on the boxes the gender binary places us in - from our professions to our personal lives, it is an iron fist around our throats. While Alex tries desperately to escape his feminized prison of sex, the men in his life that he attempts to reflect are poor specimens of masculinity, thus the image Alex displays to the world can be cruel and callous. Similarly, the alienation he experiences from the world of women is jarring and paints his feminine companions in occasional unpleasant colors through his own warped perspective. When he arrives to the United States in search of his freedom, the friends he makes along the way shapes his experience of gender and identity, helping to heal his trauma and ultimately save himself.
One scene that particularly sticks in my mind is when first meeting Moira, Alex is dressed as a woman. His English is not yet refined enough for in-depth conversation, but his connection to Moira begins with camaraderie and affection - juxtaposed to the pepper spray he is greeted with when approaching her as himself, a man. The metaphor could not be clearer.
Peppered with psychedelic artwork by the author-slash-artist, Indigo Voss is a fun, nail-biting romp through the multiverse that cuts the strands of fate with an indigo-handled knife - rather than a blue bed - named Alex.
Indigo Voss is breathtakingly poetic; with each sentence the darkest parts of Sofia and New York come alive in vivid color. Simultaneously a 90s crime thriller with a focus on the Russian Mafia and a mind-bending sci-fi experience of fate being braided and rewoven right before our eyes, it’s an exploration of despair, madness, and self hatred crashing against love and the constantly-reaching hands of friends and lovers.
Not for the faint of heart or weak of stomach, neither Alex nor his author pull a single punch in relating the story of his painful life. IV fully embraces the darkness, and the healing is all the sweeter in contrast. This prequel is an absolute knockout followup to the Sci-Fi masterpiece of Constelis Voss.
Pattern Recognition is an amazing sequel to the first book. The writing is just as deep and detailed as Colour Theory. The second book dives deep into the repeating cycles of trauma the cast still face in some ways. We also get to see more of the backstory of the gang’s lives as humans. And we see some backstory with Tyr as a mob boss in his previous life as well and why he became the man he is a little bit. The book also explores the conflict between Alex & Tyr and the gang’s interaction with each other in a deep and methodical way. I adore this book so much! I highly recommend this amazing novel!